Music has always run parallel to my visual work. I grew up in a family of jazz musicians and was drumming in the progressive instrumental band Quantum Cellar, a project active from 2007 to 2011.
These days, I compose atmospheric soundscapes and experimental music using drums and synthesizers released under the Quantum Sea project. These are layered pieces that drift between ambient and drone, between industrial and introspective rhythm studies.
It’s not music made for the stage, but for solitary rooms, headphones, and night walks.
Like my photography, it’s a space where intuition leads, shaped more by mood than structure—an echo chamber of memory, time, and texture.